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2012 Exhibition at Chipping Norton Theatre...Travels with my Art....follow this link to find out more!

‘A Street in Northleach’ by L. S. Lowry 1947

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(This painting is a copy by me, in acrylic paints on canvas)

Which is in fact ‘The Green, Northleach’ featuring Tudor House, home to Fothergills Gallery for 15 years from 1994 to 2010, to the left hand side of the painting!

 

  • This painting by Lowry came to light recently in Christie’s auction house, and sold for around £265,000. So what you may ask? ....Well I was tickled to think that our old shop was painted by Lowry at all!


I knew he had been to Northleach and done a charcoal sketch of The Green, as I had seen a copy of it, but I didn’t know he had gone on to do a painting.

It is set in the bitter winter of 1947, with children playing in the snow. I was so taken with the scene that I decided to paint a copy of Lowry’s original. Stretching a canvas to the original size of 18” x 21.5” I painted a thick layer of titanium white over the canvas in a rough texture as one might artex a ceiling.

 

Then painting in the outlines with ivory black I began blocking in colours and putting in figures, then painting around them, and adding thin colour over thick, then more white. I studied the paintwork on the original (online!) and Lowry obviously worked back and forth in all sorts of ways. I found out that he only ever used five colours in oils; flake white, ivory black, vermillion, Prussian blue and yellow ochre. Getting into the mind of another artist is never easy, and I only used acrylics instead of oils so that I could accomplish the painting quickly and the thick paint would dry fast.

It was a fascinating exercise, and I was pleased with the result, which on the face of it is quite similar to the original. I put a thinnest watery grey wash over the top afterwards to age the thick paint, and some button polish near the edges to give a mucky patina.

Great fun, but I don’t think I’ll get £265,00 for it! You can see it at The Ox House Wine Company in the Market Place, Northleach... it should make a good talking point!

The Tallat

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House Painting of the Week

20 June 2010

I had to be there early in the day for this one; the back garden and yard are a sun trap in the morning, and the tree sprinkles dappled shade over the end of the house. Note the clock and bell over the patio doors. I left the foreground deliberately a little untidy and overgrown as it breaks up the squareness of the house and makes the scene more 'lived in' and friendly I think!

 

Cirencester Folk

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28 April 2010

 Old folk sitting on a bench in Cirencester today! I took a surreptitious photo but was spotted by the old chap with glasses. The two ladies on the right were having a good old chat while waiting for the bus. And why not?

I painted this first just with a brush, and then drew the outlines afterwards. Makes the thing slightly chaotic, but I like the freshness it gives.

 

Summer’s Morning at Northleach

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Monday April 19th....

This is surely the finest view in Northleach, showing the southern aspect of the Church which its magnificent porch and windows. The setting from the top of the ‘Vicar’s Field’ with sheep grazing in the morning light add to the composition.

I have of course painted this view many times over the last 20 years, but this time we have the cool light of a Cotswold early summer’s morning.

The sky is making no promises for the day, so we enjoy the moment.

Architectural Impression of the Week

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Thursday March 18th....

It’s a row of three cottages in Oxfordshire, being tastefully converted, which presently is a building site.

My job is to paint it for the brochure, so in go the hollyhocks, and spring flowers! Rather cheerful painting this in a cold mid-March.

 
For more information about Chris's work as an architectural illustrator....
follow this link.

Early Light, Santa Maria Della Salute, Venice

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Thursday March 18th....

Busy with artist’s impressions last week, but I managed to get going on this oil painting, which is as yet unfinished.
I love the freedom of oils, and the subtlety of tone and colour, but I’m not very experienced with them.

A mysterious subject such as this is perfect for experimentation, as the painting is all about atmosphere and suggestion...........Maybe I’ll finish it next week!

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