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Travels With My Art
TRAVELS WITH MY ART - A compilation of witty writings, drawings and paintings by Chris Fothergill, Gloucestershire Artist. An insight into the life of a traveling artist.

Over the years Chris has visited many European destinations including Andalucia,  Seville,  Cordoba,  Venice, Florence, Rome and Paris to name a few. His trips have culminated in exhibitions of paintings held at the Gallery over the last 20 years and in 2007 he held a sell-out 50th birthday anniversary show at the Weswoods Centre in Northleach.

Whilst it may seem like a great idea - traveling Europe without a care in the world, paints in tow, seeking out the perfect view. The reality is not quite that simple!

Chris's humorous and entertaining travelogues reveal some of the pitfalls and frustrations, as well as the joy of being a professional artist -   hoping that his efforts abroad will continue to bring in a daily crust to continue supporting his family at home!

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Travels with my Art 1 - The City of Seville

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 Apart from the flights I didn't book anything in advance. It seemed a far more romantic notion to just arrive in Andalucia; me with a backpack, and a whole new world to be discovered. Inevitably, reality turns out to be a little more bracing than the sunny expectations of one's dreams.

The flight was delayed, and I with my backpack, (and one heavy suitcase), was finally processed out of Seville airport at 10.30pm. It was a Sunday night, and the tourist information point, and in fact anything that looked like a useful counter, had the shutters down. There was no sign of a bus station about, only a line of predatory taxis outside, and a multi-storey car park in the gloom behind. Procrastinating, I wandered up and down, avoiding eye contact with smoking groups of taxi drivers. Eventually feeling conspicuous, I went back inside, and looked up some sort of equivalent to "how far, how much, centre of Seville, and cheap hotel".

 I had no idea how many miles we were from the centre of town, or where I wanted to go, and I have a deep-seated mistrust of foreign taxi drivers. To them I must surely have appeared to be a walking bag of pesetas wearing a panama hat with "Take me for a ride" on the front....read more...

Travels with my Art 2 - La Giralda, Seville

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I slept like a baby. I don't know why people use that expression to describe deep, refreshing and uninterrupted slumber; my experience of babies calls to mind continual waking in the night accompanied by crying, chewing of blankets and uncontrolled pooing. Fortunately I wasn't teething.

A different and cheerful city greeted me, as I emerged blinking into the noisy urban sunlight from my hotel. Yes, even the sunshine is noisy in Spain. The hotel turned out to be not only cheap, but quite serviceable and in an excellent location, only ten minutes walk from Seville Cathedral, and La Giralda; my first stop of the day. Well, actually a café on the Avenida de Construction was my first stop, for café con leche y una tostada, to set myself up for my first days painting. This was after all, a business trip.

The Fothergills Gallery Summer Exhibition was only a couple of months away, and 'Impressions of Spain' had already been billed as a cornerstone of the show.....read more......

Travels with my Art 3 - Seville Cathedral

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Seville Cathedral is big. Reputedly the third biggest in the world, topped only by St. Pauls in London, and that other big one in Rome. Visiting any such tourist hot-spot one has to fight off the sense of being a processed pea, amongst throngs of other visitors, turnstiles, gift shops, and those displays filled with illuminated slides. (Does anyone actually buy those things?) It was worth it. The entrance fee was modest, and atmosphere friendly and calm. .
Like many Cathedrals, the vast interior is broken up by a forest of huge fluted columns, thrusting upwards to a flamboyant ballet of gothic fan tracery, dancing away into the gloom...read more...

Travels with my Art 4 - Torre del Oro - Andalucia

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Endless souvenir shops, outdoor cafes and warmly inviting streets provided displacement activities that carried me to that time of day when its too early to go home, but its too late to start much new. My ramblings had taken me to the banks of the Guadalquivir river, which provides a beautiful breathing space from north to south through an otherwise hectic city. At the end of a long paved promenade stood an impressive single round tower, set about with palm trees. I recognised it from lots of travel brochures, so guessed it must be important.
The Torre del Oro or 'Golden tower' was a thirteenth century Almohad fortification, so called because it was once covered in gilded azulejos...read more...

Travels with my Art 5 - Plaza D'Espana

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The first day had been a great success by my standards. My first painting was not a disaster, and I had two other drawings under my belt, which I liked, and could later paint from, in the studio. Giddy with my success I hopped out of bed the following morning, and promptly folded on to the floor. Ow! – My calf muscles had gone to jelly. How many miles had I walked the previous day? Not many, on the map, but the trouble with being in a foreign city, looking for interesting views, is that every side street beckons you down it, to just see what’s round the corner. Not having the restraining influence of my family, I cannot resist, and am lured by sirens up every avenue and down every street.
Add to that the night of my arrival, tramping every inch of northern Seville with two heavy bags for hours on end, and my ankles were in rebellion. I resolved to be more disciplined, and conserve my time and energy for sketching....read more...

Travels with my Art 6 - La Mesquita

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Showered and refreshed, I emerged back on to the street, bordering on to the railway sidings that my modest hotel overlooked, in what was clearly an unfashionable quarter of the city. Just as when you bang your head for long enough against a wall, it’s lovely when you stop; the absence of clutching a heavy suitcase raised my spirits considerably. Also it was only one o’clock, the sun was shining in a clear blue sky and Cordoba was waiting for me.
 If one wishes to sketch in an unknown city, then it pays to visit the postcard stands first.....read more...

Travels with my Art 7 - Cordoba

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 From an early age, the sound of the Classical or Spanish guitar has had a profound effect upon me, evoking moods or even memories, of places to which I have never been. I am not talking of the rhythms of Flamenco, but rather the more restrained music of the classical guitar repertoire. One evening in my early teens, I happened to see a television programme featuring the great guitarist Andrés Segovia, sitting in the Alhambra Palace playing ‘Memories of the Alhambra’, with fountains and shadows playing around a sunny courtyard. I was hooked, and embarked upon several years of lessons upon the instrument.
To this day I intermittently attempt to play such classics as the “Suite Espanol” by Isaac Albeniz. ‘Seville’ ‘Cordoba’, and ‘Granada’ are the names of three of the pieces in the Suite; a series of musical postcards from Andalucia....read more...

Travels with my Art 8 - Patio des Naranjos

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As soon I walked through the 14th century Moorish arch into the Patio de los Naranjos (Court of Orange Trees), a feeling of peace descended upon me.

I’m not prone to these things, but water from a sculptural stone fountain played in the middle of a walled garden, set about with orange trees and some cypress. People sat here and there in the shade, or walked in slow contemplation, and the enclosed feeling of the walls was protective rather than oppressive. One obvious view called to me, so I parked myself in a shady corner, and out came the sketch pad.

At this point I have to produce some photographic evidence that some women can’t resist sidling up to an artist at work! Well, it makes up for the others. “Do you mind if I sit next to you and my friend takes a photograph?” ...........read more

Travels with my Art 9 - Venice Canal

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Today, after a recent experimentation with acrylic paints and more adventurous brushstrokes, I have returned to my traditional watercolour style, to paint a view of Venice; the canal (Rio dei Mendicanti) by the Campo SS.Giovanni e Paulo. I have drawn the view on the spot in Venice, and painted and drawn it twice since. I do paint from photographs sometimes, but always do a drawing first. I have long since lost the photograph of this view, but I have my drawings, and I use whatever artistic licence I please to produce a composition and colours that appeals to me.
What first fascinated me about the view was the chimneys on the roof on the top left of the picture. They are about six feet tall, and really are leaning at rakish angles, looking as if they are about to tumble into the canal! I expect they'll still be there next time I go....read more...

Travels with my Art 10 - San Giorgio Maggiore

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 I finished painting this watercolour today; there's a bit more fiddling about with the gondolas in the foreground, but it's finished in the sense that it's now best left alone! Am I pleased with it? As much as I ever am with a painting. It's worked for me as a whole, and that's the most important thing. The light is supposed to be the last sunlight of the day, and I aimed for a very calm atmosphere.

 

The sea is not easy to paint in watercolour; and the lack of reflection in the water is deliberate. In Venice the lagoon is part of the sea, and it almost never is still enough to make reflections of the buildings. The foreground is busy enough that I wanted to keep simplicity in the water texture....read more...

Travels with my Art 11 - The oldest clock in Venice

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I finished this little painting on my 50th birthday, last week; appropriately enough as it is very much to do with the passage of time.
 
The clock is reputedly one of the oldest in Venice, on the church of San Giacomo de Rialto, which is just behind the Rialto market. I did the pen and watercolour drawing from my sketchbook. It's only a modest little pen and ink impression, but its just the sort of thing I love to do 'on the spot'.

 

Subjects like this just make me want to sit and draw them, and always have done. ...read more...

Travels with my Art 12 - Van Gogh's Boots

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I know from experience how weary his feet must have been when he'd finished a day's painting 'en plein air'.
The picture here shows a copy I made of Van Gogh's original painting (from a postcard). I have just started painting in acrylics, after many years of watercolour as my main medium. Seeking inspiration one day, I saw the postcard on my wall, and made a copy.

 

I did it in less than two hours, but am convinced that Van Gogh would have done it quicker. ...read more...